Sunday, January 2, 2011

Producers of SBS’s “Gayo Daejun” respond to criticisms of YG bias

SBS’s “Gayo Daejun” has come under fire for the amount of air time given to YG Entertainment artists.
Netizens have been arguing that the December 29th ceremony was biased towards YGE artists, which was supposedly reflected in the amount of air time they received.

Details from the actual broadcast show that GD&TOP and Se7en’s collaboration stage received 12 minutes, while 2NE1 and Kim Gun Mo’s performance received 18 minutes and 22 seconds. In comparison, 2PM and Park Jin Young received nine minutes and 31 seconds, BoA received seven minutes, and SNSD received six minutes.
Regarding the controversy, producers of SBS’s “Gayo Daejun” spoke with Newsen on December 30th and revealed, “The amount of air time they received was already decided before the live broadcast. 2PM’s stage or GD&TOP/Se7en’s stage were all balanced out with everything else.”

They continued, “We believe that the long length of 2NE1 and Kim Gun Mo’s performance is what’s causing these accusations of bias. What people need to know is that 2NE1 only sang two of their own songs. Seeing as how ‘It Hurts‘ is a slow song, the actual length of the song must have physically felt longer. Kim Gun Mo was also the highest senior present at the show, so his stage was a lot bigger in comparison. He asked us to match it up to our time divisions, but to the viewers, we believe that it could have been misinterpreted. Regardless, we were not biased towards YG artists.”

Source: Newsen via Nate
(via allkpop)

Top Interview on 10Asia

On the stage of GD&TOP’s Knock Out, G-Dragon, also known an GD, kept moving around on stage and made the stage for lively. On the the other hand, TOP stood on stage or would slowly move about the stage while rapping. But no one would say he’s not moving around enough. When GD’s swiftness and and TOP’s heavy aura come together, and also with their unique hairstyles, others are well aware of their character and their existence, making the Knock Out stage a perfect one. Also, TOP’s movements have changed dramatically that it seems like he would “eat up” the audience. During their debut, he was the member of Big Bang who worried the most because he couldn’t dance. But now, even if he doesn’t move, all eyes are on T.O.P. Continuing on from GD, TOP has revealed his thoughts on being on stage, his thinking and his confidence. Tomorrow, we’ll continue with an interview of both GD&TOP.

It’s a coincidence that were doing this interview on Christmas. (Laughs) You performed yesterday, and it seems like we’re making you more tired.
TOP:
Not at all. (Laughs) What did you think of our performance?

We uploaded pictures from your performance on Twitter and some of the followers got angry. It’s because I was the only one watching a great performance.
TOP:
I’m thankful for that. (Laughs) Truthfully, during a performance, there can be problem with the sound, but even during the worse time, it’s our job to do our best. We’re very thankful to those who are always with us and is always working hard to make our performance more fun for us. At the music programs, when we’re going up, a lot of people are cheering for us and they’re always working hard to make a great stage for us and it’s been a while since we’ve made a comeback but we’re having fun performing and we can feel the warmth from those people.

“I wondered what the audience wanted from me”
The TOP on stage seem to have changed from before. At the YG Family Concert, you got up close to a fan and started rapping and the feel of that seemed to have changed.
TOP:
It wasn’t planned or anything like that. When I’m on stage with Ji Yong, it’s mostly ad-libs. After working a long time together, I would it’s a strength that we earned. Of course acting is important but when we deliver our song to the audience, we don’t calculate everything but instead, we express the song with how we feel about it. To be able to do that, I believe it’s a strength that comes out from our confidence.

On this album, it seemed like there’s more confidence in your performances and in the lyrics. During Knock Out, you wore smokey make-up and also had a natural talent for being calm on stage. Is there a special way to be able to achieve that?
TOP:
There isn’t really a special way, but during the last year, I asked myself questions about myself. Long ago when I was still young, I asked, “What’s the reason that I’m doing this?” and thought really hard about it. It was kind of burdening for me to do this kind of work but mostly it was burdening because I thought this job didn’t fit well with me. But as I grew older, I changed my question. “What does the audience want from me?”

Then does that mean your answer was confidence?
TOP:
When people see entertainers on stage, they’re happy about it and I also think they get motivated in life. That’s the direction it was going for in the lyrics of Turn It Up and in this album. The outer looks that many people see isn’t for my own personal gain. Even if I boast about myself, I thought, “At least I’m confident in my job so the people should also feel confident in themselves.” I don’t know how the listeners interpreted it, but I wrote it with a lot of thought.

So is that why you wrote a lot of famous brand names along with your thoughts? I feel like you’re saying, when people look at themselves, they should think, “It’s okay to take in the way I am.”
TOP:
It got a bit aggressive. Truthfully, I’m the type that thinks a lot and worry a lot so I was careful about that, but when I turn around, I ask “What does the audience want from me” and “Which is the right one” and when I think about those things, I believe going about it the way I have been these days is a fresh idea. For those people who have a lot of burdens on their shoulders, I hope that when they listen to this song, they’ll be motivated and have strength and if they do then I’ll be happy. Whether this sounds like I’m boasting or not, I want to express my feelings without provoking people and without looking spiteful. (Laughs) I think that’s one of the way that I express myself.

“I think I let go of myself aggressively”
Before, I felt like TOP kept everything to himself and I think it’s because of the people around you. How were you able to change from that?
TOP:
I think I began to think of the bigger picture. The world is too crazy and there are too many people in this world who are having a hard time living and I thought about that. But those people are people who support me, who support Big Bang, or they just listen to music. I thought it would be great if those people listened to someone’s music and gained happiness from it. So in order to do that, I wanted to start expressing myself.

Then do you think that mindset is what got you here? The thought of doing something for someone is a big responsibility and need to have that positive affection.
TOP:
Truthfully, when I was young, peoples’ interests or love was a bit too burdening for me. I wasn’t able to enjoy that. But I threw my greed away and those things became natural for me. It’s my greed towards music. And my thoughts about doing something with music disappeared as well. Before, when a new song came out, the phrase, “I hope you expect a lot,” was used a lot, but now, it’s okay if people don’t expect anything. Instead, I want to be a person who can give big expectations. That’s why I want to give back as much as I received, and I began to want to study music more and to do that I began to work myself really hard.

Would you say you have a relationship with yourself? You were doing activities as an actor and now you’ve released an album where you were able to do the music you wanted to do.
TOP:
After I was done with Into the Fire and returned, GD was already working on the songs and as soon as I returned, I started working as Big Bang. During that time, the flow of the music had changed dramatically as well. A lot of talented people were performing too. So that means I was out of the flow. So I took a step back and gathered my thoughts.

Because of that I think your way of expressing yourself changed as well. Before, on stage, you said, “I’m acting out a virtual character,” but in this album, you expressed that you wanted to meet, “only through speakers or ear phones.” Did you make yourself a character?
TOP:
Yes. At a young age, we stand in front of a lot of people. Of course we’ll get both good and bad comments and that process really was tiring. So I managed to keep some distance from people, and I want people to see my existence on stage or through music and I wanted to show that. But because making the listeners happy was the most important thing, I thought long and hard about how I would bring these two together and this album made me think about that.

But doesn’t that existence seem unrealistic? Big Bang members aren’t living in reality as ordinary people.
TOP:
I do think about that. GD and I would go out to drink at times and as we talk, and everyday is very sweet but it’s also bitter as well. There are hardships that are hard for us to handle at our age. Of course there are that many losses but there are a lot that we gained so at times it does seem like I’m living in a dream. Truthfully, it’s hard for us determine if this is a dream or reality sometimes.

You have continuously gotten comments from others, and if you think about it in business terms, it must be hard to go in the direction that you want to go to.
TOP:
That’s something that I always think about. But now, I think I’ve somewhat answered that question. If we take music for example, rather thank asking these questions, “What kind of music does the audience like, what kind of trend are we going to set,”  there are a lot of things that  I haven’t tried yet and want to do and I believe I can achieve that within my own range. If I were to make a wrong decision, then there are people around me who can help me with me. Because I believe those people, it’s always new, and although it may not seem aggressive, I want to take road aggressively.

It’s hard to live as a star in Korea, and GD is like that as well but it seems like that for you TOP.
TOP:
It was hard. (Laughs) I’m joking. I think I just aggressively let myself go. (Laughs) I think there are a lot of people who see me and the Big Bang members with colored glasses. But it doesn’t matter. Those attentions are what drives us to improve. I’m not saying I enjoy reading hate comments but because of those we tend to work harder. It’s something I’ve been thinking about, but the biggest strength that Big Bang has is that we all enjoy trying to make those improvements. It’s not because we’re greedy but we enjoy making improvements. I think that’s our biggest strength.

“I want to be a vitamin of life to people”
I think that’s why TOP’s lyrics is positioned at a unique place. A rapper is like a virtual character because at the same time you’ve expressed yourself through music with confidence.
TOP:
When GD and I decided to work together, the first thing we talked about was writing a song that only we can do. Anyways, at a young age, we were expected a lot and were also hated a lot. The things that we felt during those situations is what we wanted to base our lyrics on. Some people might think bad about it. But when you take the lyrics one by one, we wanted to write a song that was hard for people to come up with a rebuttal for. It’s like, “This is what we are, can you come with a rebuttal for that?”

I think the Intro really did that. The sound was like old-school hip-hop, it’s like I’ve gone back to the rap music when I was in middle school.
TOP:
Yeah. With a sampling from old-school hip-hop, GD and I wanted to show our diversity. While doing that, I wanted to ask what kind of rap is sincere because I’ve told my story recently, the way I wanted to.

Then was the song Oh Mom expressed opposite of what you said? The other songs that you and GD made seemed different because it seemed like in the song, it’s not how people look at you but how you personally present yourself.
TOP:
Oh Mom is a true story. I can’t explain in details but I can say that it’s a present to a sick friend of mine and I wanted to write a letter to him. This song is vert precious to me so it wasn’t on the track at all at first but I really wanted to put it in so it went in.

Oh Mom was made into rock. The drums on the song is very loud. Is there a special reason why you did that? It seemed like you could’ve made a different approach with the rhythm part.
TOP:
I wanted to give it a more analogue-like feeling. If I say it differently then I wanted it to give warmth but these days the trend in the music industry is rapidly changing and 2 or 3 weeks later, it disappears from peoples’ minds and it happens a lot. That’s why I think people are getting tired of music. Electronica songs are good but if you just go with that then it gets tiring. So for the fans, we tried going for an analogue-like feeling  and GD and I have been interested in rock these days. That’s why our rap style has changed a lot. Before we tried to rap with a heavy and husky voice but now we’ve worked hard to give a inviting and comforting feeling. If you were to image it, it’s like a bookcase that hasn’t been decorated. (Laughs)

In Baby Good Night, the rap was especially insightful. Before the rap made the sound pop out and made it seem like it grasped the music, but the sound in the song seemed close to melting together. It’s like a whip cream the way the sound and the feel matched together.
TOP:
We wanted to deeply express the feeling so we chose that route and Baby Good Night is a song that can be listened to without hurting your ears and we tried going for that. These days if a song goes over 3 minutes, they say it’s long and if the songs doesn’t catch your attention at first then they say it’s boring. But even if it doesn’t do that, it’s not boring and there are so many music in the world that can be listened to. That’s why the people who like Big Bang and us two, especially the 10′s and 20′s group, this kind of style of music is something we wanted to let them know. Even though it’s long, or it become unpopular, it’s still music.

On that part about music, I think TOP’s personal goal and the audience’s thoughts are the same.
TOP:
Rather than making it complicated, it’s a song that just came out and we achieved a lot as Big Bang at a young age. But we’re also little kids who, truthfully, want to just do music. Within that, we feel a lot of emotions, we try to express all that, and try to find a goal. But once one foot is off the ground and we think while doing that, we see the bigger picture and little by little, we can clearly see our goals. That’s why we want to give confidence to the audience and that’s why I want to become a vitamin of life to people.

That’s really a Knock-Out like confidence. (Laughs) I’m sure there are people who are sharpening their knives every time you two are on stage, so what do you think about that?
TOP:
Our knives are strong. (Laughs)
 
Source: 10asiae.co.kr
Translator: solshin3 @ 21BANGS.com




Saturday, January 1, 2011

Big Bang takes 4 spots on V Channel Thailand’s Top 20 Asian Chart

Thailand’s popularity music program V recently published a popularity song list for the year of 2010. Under the Asia category Big Bang took the 3rd, 9th, 11th, and 19th position, having a whooping total of 4 songs on the Top 20 in the popularity list.
G-Dragon’s “A Boy” from his first solo “Hearbreaker” ranked at 3rd place, 9th place went to TOP with his digital single “Turn It Up”, 11th place went to Taeyang’s “I’ll Be There” from his international album and lastly at number 19th was Big Bang’s Japanese single “Tell Me Goodbye“.

(Credits: as tagged)

Big Bang croons with “Tell Me Goodbye” at the 52nd Japan Record Awards

Big Bang gained a hot response in Japan back in June with their single, “Tell Me Goodbye“, and though they’ve only promoted intermittently, the popularity of their single secured them a nomination for the prestigious “Japan Record Award” at the 52nd Japan Record Awards.
Recently, the CEO of their agency back in Korea assured their Japanese fans that Big Bang would promote more aggressively in the new year, with a two-month tour scheduled for May.
So to tide you over until then, we’ve got a pre-show interview from the ceremony and their performance of “Tell Me Goodbye” below!
-
Pre-show Interview




Tell Me Goodbye




(via allkpop)

Nichkhun praises G-Dragon

With the recent release of “GD & TOP,” Big Bang artists G-Dragon and T.O.P have been receiving much praise from various members in the entertainment industry. Recently, 2PM member Nichkhun showed his admiration for G-Dragon with this post on twitter.
T.S. : Oh Yeah – GD & TOP~ this song is stuck in my head!! =] gotta give it to GD! He’s a genius~ keep making great songs!!
Love the love Nichkhun shows to a fellow member in the industry.

(via allkpop)

Thursday, December 30, 2010

YG reveals plans for 2011 through YGLife blog

Previously, YG Entertainment revealed that they would answer burning questions from fans through their YG-LIFE blog.
The site was recently updated with detailed plans for 2011 from CEO Yang Hyun Suk.
–
Hello, this is Yang Hyun Suk.
Today is December 30th; there is only one day left in 2010.
Today I will answer some of the fan’s questions regarding YG’s plans for the first half of next year.


1. GD&TOP had three title songs for their album – What is the plan for future promotions?
To be more precise, GD&TOP had five different title songs. Aside from the “Intro” song, G-Dragon and T.O.P sang 5 songs together, and we plan to promote all 5.
This plan is similar to that of 2NE1’s. Instead of concentrating on a single song, we want to inform everyone about the entire album.
After “High High“, “Oh Yeah“, and “Knock Out“, we plan to promote “Don’t Go Home” in mid-January. Director Lee Ki Baek, who’s worked on G-Dragon’s “A Boy” MV, will direct the music video for the two new songs.
We plan on releasing the music video for “Knock Out” on January 3rd. It was directed by Seo Hyung Seung, and finished just a few days ago. It’s a little ambitious, but given the time and opportunity, we want to move ahead with GD & TOP’s solo MVs.
2. For what reason did you choose “High High”, “Oh Yeah”, and “Knock Out” for the first round of promotions?
The reason is very simple and straightforward.
To promote the five songs, each song must fit with the time and season. “High High” and “Oh Yeah” really fits with the end-of-the-year atmosphere, so we decided to promote them first.
“Knock Out” is the ‘main’ title song, and it was my favorite, but I had one concern about promoting it – I was worried about whether it would be approved for public TV broadcast.
If “Knock Out” did not get approved, we would only promote “High High” and “Oh Yeah” through public TV channels, and promote “Knock Out” on Mnet’s “M! Countdown.”
3. What is the reason for the lack of TV appearances?
This has become the biggest issue among YG fans. I understand that fans want to see more of their favorite stars, but as the individual in charge, I have to be more careful.
The reason for the reduced appearances is because we are concerned for our artists. To show up on music programs for 3 minutes, the artists will have to wake up very early in the morning to start rehearsing. For female group 2NE1, they have to prepare their hair and makeup, and start moving at 2:00 in the morning. Having schedules the night before and not getting any sleep to go to broadcasts is also very commonplace.
In a week, [artists can have] 4 nights of music programs, various CFs and photoshoots, events, oversea schedules etc… Although 2NE1 didn’t appear on variety programs or radio shows, I could feel their tiring situation. I just wish they could sleep an hour more.
Although the artists may be receiving a lot of popularity, it takes a toll on their bodies. YG’s biggest worry is that the artists don’t have any time to spare because they are preparing for their next stage.
Regarding broadcast appearances and conflicting results…
I’ll use 2NE1’s first mini-album and G-Dragon’s first solo album as examples. Both teams only had one broadcast a week, and had interesting results.
The result was better than we had expected, and [thinking about the artists also], we thought we needed to lessen the number of broadcast appearances.
Of course, the album’s success is proportional to broadcast appearances, but it’s definitely not half-and half. Let’s examine this in detail.
As a rookie group, 2NE1 had one broadcast a week. Their debut songs “Fire” and “I Don’t Care” were very well known, and their mini-album sold 165,000 copies. At the same time, Park Bom’s “You and I” was also quite popular, and she only went on broadcasts twice a week.
Last August, G-Dragon released his solo album. At the time, he broke the record on Hanteo Data System by selling 130,000 copies. Now he has sold 248,000 copies. This is also very surprising within YG, since this album did better than Big Bang’s albums.
YG does not carry our own results, so please refer to YG’s long-time sound-music distributor Mnet Media to confirm them. There are no mistakes for albums that have been on sale for a long time, and a CEO of a company has no reasons to lie.
It’s easy to ask, ‘What if there are demands for YG to conform? What if the relationship with the broadcast companies decline? Perhaps there’s an easier way?‘
However, YG considered everything and chose the more difficult way because we think that while this kind of promotion may seem frugal, it has more value and emotions attached to it.
I won’t speak further on what is the best decision or conclusion, but we do worry about our artists during their promotions.
4. On Seungri and Big Bang’s album plans:

A while ago, we revealed that Seungri will release a digital single on January 3rd, and Big Bang’s new album will follow on February 1st. There have been some changes.
We want to give all their fans even greater news!
At the time, we planned to kick off Big Bang’s Japanese tour in April of next year, so we wanted to promote Big Bang’s new album for two months, beginning February 1st. Because of this, GD&TOP and Seungri’s album promotions would have been shorter than normal.
Fortunately, we were able to delay Big Bang’s Japanese promotions by one month.
Thanks to this, GD&TOP’s second round of promotions for “Don’t Go Home” will be extended, and Seungri’s digital single will become a mini-album.
We had planned for a digital single release on January 3rd, and a mini-album 10 days later, but we decided not to do an online release, and just reveal everything at once.
While reviewing Seungri’s preparations for the mini-album, I had an idea for “Ambush” to be the mini-album’s title. Even though it’s the first time for Seungri to be co-writing and co-composing, YG has recruited new producers to elevate this product, so please look forward to it.
The new release date for his mini-album is January 13th. The dates for Big Bang’s album will be revealed at another time through the official channel.
5. Will the “BIG SHOW” be held early next year?
Big Bang’s “BIG SHOW” concert, which was held annually on January, will be held on February 25th, 26th, and 27th next year at the Olympic Athletic Stadium.
Since the “BIG SHOW” is scheduled right alongside Big Bang’s new album, all of Big Bang’s latest music will be featured, including GD&TOP and Seungri’s mini-album. We’ll be releasing a more detailed announcement soon, so please check it out when it’s revealed.
6. What is the schedule for Big Bang’s Japanese tour?
Starting next May, Big Bang will be holding a two-month tour in Japan, which is expected to bring in a 160,000-member audience.
Up ’til now, Big Bang has only done short-term promotions during their week-long stays in Japan. Starting next year, they’ll be promoting more directly and aggressively.
The agreement between YG and our Japanese partner is to completely differentiate the group’s Korean and Japanese activities, and to focus completely on one at a time.
Again, they’ll be in Korea for March and April, in Japan for May and June (due to their Japanese concert), in Korea again from July through September for their new album, and in Japan for October and November.
Big Bang’s popularity in Japan is a lot higher than what is known in Korea, so we are hoping to garner more favorable results with more direct promotions.
7. What are the plans for 2NE1’s Japanese debut?
Honestly, proposals regarding 2NE1’s Japanese debut have been in the talks since last year. The reason for the delay was that they were a rookie group who had only just debuted, and the consensus was that they needed to focus on Korean activities first.
With their first album promotions at an end, 2NE1 will officially be debuting in Japan on February of 2011. As expected, the record company they’ll be working with is Avex.
Avex has always shown much affection for 2NE1, and the biggest owner of Avex will also be working with the girls, so we’re anticipating a lot for them.
2NE1’s first Japanese activities will be on February and March. We’ll be working hard to ensure that 2NE1 can still release a new Korean album in May or June.
Details regarding 2NE1’s activities have yet to be confirmed because Will.I.Am is currently busy promoting Black Eyed Peas‘ latest album.
On the day of the Yeonpyeong Island skirmish, Will.I.Am asked, “Is 2NE1 okay?” He’s watching 2NE1TV and revealed himself to be a bigger fan through the show. He also stated that he will be making more new tracks for 2NE1.
There are still so many things left to say, but I’ll end it here for next time.
Reflecting back on our year, there are still a lot of things we regret and lacked in. As there is Big Bang’s comeback to look forward to next year, the YG staff and I are filled with excitement and anticipation.
In addition to saying that we will be working harder than ever, we hope that all of the fans have a Happy New Year and to be healthy.
Thank you (Bow~~)
2010.12.30 From Yang Hyun Suk


Credits: supermar@allkpop

BIG BANG 2011 Calendar Making DVD






source: tesonachoachoa@yt

G-Dragon Interview on 10Asia

The reporters of 10Asia spent three days, starting December 24 till 26, working. It was the weekend that included Christmas. However, who cares about working? During those three days, we watched the performance by G-Dragon (from here on GD) and T.O.P, we interviewed them on the set of their show and took pictures of them on stage. We just feel bad for them having to spend Christmas with the two who said they feel bad for each other. Below are the excerpts from 10Asia’s interview with GD.

Big Bang member GD [Chae Ki-won, Lee Jin-hyuk/10Asia]

10: You seem to have some dark bags under your eyes. (laugh) 
GD: Yes, I performed all night yesterday as well. (laugh)

10: You have returned to living a busy life. I know that you enjoyed some free time after your solo activities.
GD: I partied hard for about a month or two after receiving permission from the CEO of YG Entertainment [Yang Hyun-suk] as soon as I finished my solo activities. (laugh)

10: Was it the first time having free time since making your debut? What kind of effect did that time have on you?
GD: It was tiring and difficult when we [Big Bang] had a busy schedule but it all disappeared when we were done. (laugh) I think it was a similar feeling to that. Everthing from the past seems like nothing. That is why I had plenty of time to prepare myself for my future activities after figuring things out. That one year, after finishing my solo activities was the first time since making my debut that I got to prepare something. Whether it was to rest or think, I was able to work on something in a leisurely manner during the past year instead of rushing through everything. That is why my confidence for the next album and meeting people grew.

10: I can’t find the appropriate word but I guess I should say your attitude has changed?
GD: Yes, my attitude has changed a lot. I became more placid and I feel that I try to understand things more. The CEO told me that I shouldn’t always think of myself and that I should try to put myself in the other person’s position as well. I began to understand most of everything much better after he said that. Before, whenever we had a busy schedule, I’d say ‘Why do we have so much on our schedule’ and get irritated about it but I know now that even the smallest things are important. One could say that I am like someone who just recovered from a serious illness. That is why I’m in such great condition and am looking forward to what I’ll get to do in the future.

10: It seems like you’ve achieved a sense of liberation. (laugh) 
GD: My mind has become a lot more at ease because I feel that this is what I am supposed to do rather than call it liberation. Others might say that I have achieved huge success but to me it became my stimulus and the process of how I developed. And now, instead of being burdened about how others see me, I want to present them with what I can give them.

10: So does that mean you had cared what the people thought about you? 
GD: In the past, I changed many things including the tone of my voice because I was conscious about my job when I was in front of others. Also, I had a different image in front of others versus my friends but now I feel they’re becoming similar. That’s why I’m more afaid of doing interviews now. I think that breaking that line between myself and as an entertainer and the real me is good but it can become a dangerous thing when doing interviews in Korea. (laugh) Other than that, I don’t feel that there is anything to worry about how others see me. It is who I am and I think that the people like me for it and I will continue with it in the future.

10: I think that is why the lyric “Even though I’m short, my girlfriend is tall” in the “Intro” track of the new album is quite memorable. It seems like you didn’t want to drag on about what happened in the past and just cleared everything up by saying “Ah, I’m just like that.”
GD: It cleared up many things. When I made my debut I was younger and I don’t think I thought about what kind of image I was portraying to others. And I began assessing who I was after I released my solo album. I experienced a lot of pain and it was even scary to wake up every morning. When I wake up something happened and another thing would happen. I think that’s why I was quite broken then.

10: How did you overcome that? 
GD: It takes time. As time went by I realized that I’m a pop singer so whatever my intention was, what the public perceives of it is my doing so it’s my fault if I give off the wrong intention. And I thought that it’s no use to talk about every little thing that has happened. I wanted to show it coolly through the next album or through words and I just remained quiet because the way I wanted to express my feelings, such as through writing or talking about it, wasn’t acceptable. That is why during that time I did my best in what I was doing and put in all my efforts to give a good impression. I now see more people who support me. I think that is how I should go about things from now on.

10: Have those inner changes had influence on your music? The track “Baby good night” from the new album is unlike the other style of songs from your previous work.
GD: Of course. It’s because when you break away from the mold the possibilities are endless. While, the artist will produce the same music over and over again if they decide on the style of music. You can say that is the problem of all idol stars and it will continue to become a problem if it’s not broken and worsen if they release album after album without resting.

10: That’s true. The artist will just coast along if they don’t have the time to think.
GD: Yes. I think that the right kind of music is not made once the artist feels that music is work. On the contrary, I will be able to enjoy making music if I am given a year or three months time. I feel that when one is working on music, performing or just having fun that it directly influences the music.

10: So it will be harder from now. You were busy making track after track since your debut.
GD: I lost my confidence during that time. I thought to myself that I can always do my best and I was in a slump once I locked myself into trying to form my own style of music. I heard that rocker Seotaiji and other singers said that they go through torment thinking about their next album. I haven’t gone through that phase yet and it may seem pretty cocky to say this at a young age but there was a time where I thought to myself, thinking that there is no guarantee for the next five to ten years if I thought I have come with everything that I can.

10: That was why I felt bad about “Heartbreaker.” While you did a thorough job on perfecting a single idea with “Lies,” that same process was missing in “Heartbreaker” giving a likely reason to doubt even if it wasn’t a plagery. I wonder if things could’ve turned out different if you had more time. 
GD: That’s when I realized that I will always need much time for preparation. I used to compose songs on the spot, as if pulling things out of a vending machine but now I can’t bear to stand before my fans with music made in such a way, and it also affects my attitude on stage as well.

10: That’s what I thought as I listened to “Heartbreaker Part II” participated by Flo Rida. Part II was created with more understanding toward music than the earlier version, analyzed and re-combined to give a new flow and rhyme. It would have been awesome if the earlier version had come out like Part II.
GD: Most people turns the conversation to Flo Rida whenever that song is mentioned together with the issue of plagiarism but that wasn’t my intention to begin with. What I had in mind was to show local musicians can stand equal to musicians from abroad just like I was doing rap alongside with Flor Rida in the same track. It’s like what I wrote in the lyrics “I shall not kneel anywhere.” But because of what happened beforehand, the reviews I received at the time, both good or bad, weren’t properly focused solely on music which is quite a pity.

10: The rap at Part II was very interesting, the way you divided its flow in short units and confronted each sound with rap. You created a perfect beginning to end flow within your given part.
GD: I did the rap as fast as I could (Laugh) When I did solo album I took my time deciding on arrangements that fit the role of title track. But this second time, where my part came before the Flo Rida’s part, I decided that I got to show everything within the short time frame so I filled it with strong, diverse elements.

“I wish lyrics alone can sound like a good writing”

10: I believe all those thinking to compose that single piece have helped to widen your horizon for both understanding and composing music.
GD: I gained more freedom in some aspect. But each feeling is different: the times I work as a member of Big Bang and the times I do my solo album. But the more I work, the more I feel like I’m learning and maturing at the same time. I wouldn’t know the consequences of album I produce now but the feelings I gained from this present experience will be reflected on future albums of Big Bang. Because both other Big Bang members and I will notice the way the music matures, this will again be a great help down the road.

10: Your lyrics seem to have changed in part, too. In the recent album I got the impression that you went deeper into yourself rather than expressing yourself aloud to the public.
GD: Just like movies that contain various stories in genres of comedy, thriller, horror and more, I concentrated on the aspect of story-telling for lyrics. I wanted them to sound like an actual story with or without music. I wanted a clear plot for them. I guess it’s the influence of all the foreign raps with stories that I grew up listening to.

10: The track “Nightmare” in the latest album seems to best reflect your point. Just by closing my eyes I can actually visualize a person who runs and then flies during the early part of the song. It has that flow of rise from beginning to end.
GD: That’s right. That’s the kind of impression I was hoping to give to those who listen to “Nightmare” with their eyes closed. I wish to compose a kind of music like shown in the film “Inception (2010)” in which the final part turns out to be either a horror or fantasy depending on the individual. I put particular effort there so the ending could be anybody’s guess.

10: I’m not sure if it’s because this is solo track but “Nightmare” seems to be the piece that makes the most obvious display of your characteristics, the sharp changes between parts. I could detect almost four different levels of changes. The style is similar to that found in “Lies” and “Heartbreaker” whose music both has beginning and end marked by sudden of sound in between. Is there a reason you prefer this style? 
GD: It’s one way of showing what my music is like, wholesomely, to the public. These days people can make ring tones out of certain parts of the song they like. Melodies of such ring tones are usually chosen among the song parts that have the strongest impact, which usually happens to be chorus part of the song. And because people these days decide on music just with few listening, the chorus part with strong impact became even more important. Of course, you could say a song is already a hit if many people remember it by its ending chorus alone. But I want all parts of my song to be remembered. This is my way of composing a song that can be remembered wholly, by giving twist and turn at every corner and evoking different story.

“Now is the real beginning.”

10: It seems like you have just gotten over a certain stage in your life.
GD: Entertainers should come forth to address the public. In my case I had to both create and sing the song on the stage. I came this far thinking this is probably the only thing I can do but I guess I was burdened by the fact that everything went public.

10: Last year in particular, no doubt, as everything linked to GD became an issue.
GD: Yes. Under such circumstances I became more wary and lonelier. But after going through all that, doing my music and waking up to new things I believe I can now take things with more ease. I think I can show 100-percent real me through this latest album.

10: It seems like this is the real start.
GD: It is. It also seems like I have been building up on my experience all along and this feels like my true beginning. It is same for Big Bang.

10: So what would you like to do at this point? From the track “High High” you wrote that life is about one lucky shot but in reality it was your consistent effort in music industry that got you this far. 
GD: Wait, I don’t think I’ve come across my lucky shot yet (Laugh)

10: Really? (Laugh)
GD: This may sound a bit snobbish but I don’t think I’ve achieved anything yet. It’s still a long way ahead and I don’t think I’ve shown anything of a lasting impact – still in the process of building it up step by step. I’m sure this is what all the other members of Big Bang are dreaming of, too, the opportunity to strike something really big someday. (Laugh).


Source: 10 아시아
Taken from: TeamBigBang
(via bigbangupdates)